Intentional Observation: First shared parental observation

From a GypsyInk.com post titled 10 Things I learned from Anne Lamott (Via sculptor and mother Sarah Irani):

“Having a child can help you slow down, which is one of the first steps toward paying attention” – love this, though, I will admit a certain level of agony in the slowing down. Makes you feel mental, like you are forced to crawl through life stopping to look at every last rock, leaf, ladybug. Perhaps [Anne Lamott] is saying, yeah, that’s the point.

And then:

“Wasting paper; staring off into space” – Efficiency is not the way ahead. The way ahead is printing out drafts of our work so we can see it on paper and mark it up, not worrying about how much paper we’re using. The way ahead is staring off into space and letting our subconscious kick in even if we’ve been told that such behavior is a waste of time. Efficiency cannot be the #1 priority of the artist. So true.

Asa’s first week storm

Some fantastic convention popped up in the sky to celebrate the birth of my son this past week! Haven’t had storm viewing in the Grand Island, Nebraska, area like this in a couple of years.

Recent Playfulness: Mighty ugly nihonga (black rain)

I recently took stock of, in a very simplistic way, how I’ve ended up exploring nihonga — a more or less completely new medium — when I don’t have sufficient time to develop my work in one medium (clay).

  • Ink-wash drawings on mylar in college
  • Interest in metal leaf/foil fostered by ceramics professor Eddie Dominguez and the idea of icons
  • A continued interest in the use of natural materials to create beautiful artworks (as opposed to more processed materials such as plastics and even steel)

Here’s an interesting article on color, suggesting that artists have given up artistic quality but using commercially available paints: Do natural pigments offer more to modern painters

Intentional Observation: Snow dye

Apparently sideways flying wet-wet snow that follows rain causes the colors of tree bark to leach.

Bitterness, an artist’s greatest enemy

Sarah Thornton talks about writing Seven Days in the Art World and makes other contemporary art related observations in this short, meaty video.

I’m particularly fascinated with the following segment:

The other day I was asked, “What makes a successful artist?” . . . That’s a really complicated question, I could be giving you a lecture. There are so many processes of validation, legitimation, different benchmarks of credibility which are not just financial . . . Rather than waffling on about that, I just said, “A successful artist is one who doesn’t feel bitter.” And I really, really believe that. There are multi-millionaire artists who somehow feel bitter about their lack of recognition, and then there are people who are doing their own thing and finding emotional satisfaction in it.

Hearing the statement “A successful artist is one who doesn’t feel bitter” is another instance of someone else clearly articulating a mish-mash of thoughts that have been rolling around in my head — about my own work and from the perspective of a creative catalyst, thinking about other’s work.

Most artists I know personally, now, are not bitter (as far as I can tell). They are like me, day-job artists who pursue their craft and concepts because of a subconscious, driving impulse. If that impulse is ignored, if we bottle up those ideas and don’t find time to work with our hands, we become cranky.

However, it doesn’t take me long at all to think of some of the personalities in my college studio courses and think “Yup, he or she might be bitter.”

Personally, I would like to be able to live off of my creative impulses, which means I will have to somehow gain recognition in order to sell. The impetus for the recognition is, though, to be able to do what I love, what I’m skilled at and what that subconscious drive relentlessly pushes me to do.

It’s not to gain personal notoriety. The goal is not narcissistic, where I can see bitterness easily taking over.

Video via Savannah College of Art and Design’s deFINE ART series.

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Intentional Observation: Water, partially crystalized

Recent Playfulness: Mighty ugly nihonga (red)

There wasn’t much information with the nihonga starter kit that I received, so I’ve had to rely on the interwebs to learn the craft. Further, the pigments are not labeled, so I don’t know if they are actually made up of the minerals that die-hards will grind themselves. Regardless, I’m getting my feet wet with the kit and hope to further my skills throughout the year.

Recent Playfulness: Mighty ugly felt

I love working three-dimensionally; I’ve prefered it to drawing or painting for the past 10 years plus. However, when it comes to portraying certain aspects of one of my few favorite subjects, storms on the prairie, I’m starting to wonder if certain two-dimensional media will serve me better. Actually, I’ve been wondering this for more than a year now.

So about six months ago I started messing around with felt (still three-dimensional) and nihonga — a Japanese technique I first heard of about six years ago now when introduced to Makoto Fujimura — after my wife gave me a starter set for my birthday. For Christmas I received some powdered graphite, another new medium for me that has shown real promise in helping me portray the kinds of light and spatial nuances wood and clay may not be best suited for.

Prior to last year, it had been an unfortunate long time since I played around with a new media, since I let myself approach a piece of paper with no other intent besides learning. I felt pressure to produce something for a reasonable portfolio (a goal I had set for myself) every time I sat down to create something. I wasn’t setting out to create something Mighty Ugly while engaging in this recent playfulness, but if the paper ended up being ugly there were no worries.

As much as discipline is important to being a successful artist, so is playfulness. So here starts a new series of my recent ugly works, starting with this felted cloud from my very first foray into felt, four plus months ago.

Christmas XII

Via Gordon College

Tanja Butler’s Mondrian and the Magi

Christmas XI

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