Conceptive creativity vs designing spaces

My predisposition towards creating and refining interior spaces is getting the better of me again. Here we are in our new little home which we moved into — I avoid the word purchased since the bank still own’s 90% of it — in part because it was livable. Livable, yes, but not ideal.

First project underway, now complete.

The trick in part will be not putting too much time or money into the place, and working on projects that add the most value. The home isn’t in the best of neighborhoods and we won’t be able to add infinite value to the space with our projects. This, however, is a practical point of view. Merge this with a designer’s sensibility, which considers the practical as well as the aesthetic, and that’s where I’m headed.

The most expensive project will be replacing the kitchen cabinets. In our previous home we got away with painting and replacing the hardware, but the cabinets there were in better shape and more plentiful. We have a lot of saving to do before I tackle the kitchen. Before then will come removing the wall between the living room and kitchen (which is done), adding walls and flooring in the basement to create a family room and a bathroom (the bathroom is already partially plumbed) and painting inside and out.

Part of creating an organized studio space for myself to work in will be adding the walls in the basement. This is a relatively inexpensive project when you don’t include flooring, but it takes a fair amount of time. As in probably a month of weekends start to finish when you consider the wiring and pluming that will also be involved. And building in an entertainment center.

The struggle comes with another pervading inclination, that of creating works of art. Today I want to start a small series of paintings. My clay is either too wet or too dry at the moment (I’m still looking for a local supplier of a new clay body that I like since we moved) so I thought I’d do something in the way of conceptive creation, in this case painting (something I do on occasion). I quickly realized, however, the lighting over the new work surface I scrapped together is insufficient, so I’m back to thinking about spaces and projects around the house.

It’s a vicious cycle for me.

Bookish grafitti

It’s been a long time since I’ve posted any grafitti. Yesterday my wife and I went through three boxes of dusty old books for my mother-in-law and I found this gem amidst the rabble.

Still more clouds

Doug Johnson, a Grand Island painter, has some really nice work:

Gary Ozius, a Kansas artist, judged the miniatures show at the Prairie Winds Gallery earlier this month:

He is risen

He is risen indeed.

A 13th-century wall painting in the Catedral Vieja of Salamanca, showing the Risen Lord appearing to St Mary Magdalene.

Image from Lawrence OP’s Flickr Photostream.

More art with clouds

Cloud related artwork I’ve come across in the past couple of months (it doesn’t come up very often from what I can tell).

This first painting is by Bruce Lowney. Via my friend Joel Armstrong.

And now for some of Joe Page‘s fluffy cloud inspired ceramic objects. Via The Mud Bucket.

Karen Krull Robart’s textile storms

Yesterday evening I made it to the Prairie Winds Art Gallery during an opening for a show titled Spirit of the Cranes. While there I was excited to see Karen Krull Robart‘s fiber works, depicting storms on the prairie, for the first time. One of the works, Tempest Brewing, even includes a tornado.

It’s crafted from hand painted and hand dyed cottons. From Robart’s website:

    Much of the inspiration for her work comes from the sunsets seen from
    the front deck of the home she shares with her husband, Bill.

    Karen’s landscapes combine the arts of painting and textile construction. Each sky is hand painted on either
    cotton, silk, silk satin, or rayon; the result is a truly unique piece of cloth. Most of the other features in her
    landscapes are pieced using fabrics that have been hand dyed.

Maybe I’ll get one of her smaller works for my birthday (hint hint). Of course, I also still want one of Jane Flanders’ ceramic bones.

International Artist Day

Apparently today is International Artist Day. My request as an artist on International Artist Day is for a full year of subsidized dedicated studio time. Think someone will grant my wish?

I’m really not one for all these self-declared holidays, but the following list of celebratory suggestions from the Artist Day’s website is worth sharing:

    1. Visit a gallery and explain why you’re there.
    2. Purchase a piece of art to support an artist.
    3. Visit an artist’s studio.
    4. Take an artist out to lunch and explore their world.
    5. [And the perfunctory] Come up with your own ideas to participate.

I’m figuring on visiting the Art Farm in Marquette, Nebraska this afternoon for their Fall Harvest. Does that count as a gallery? And just for kicks the following is a painting from my dad’s store.

Van Peen painting

This is one of the better (and more colorful) ones he’s has for sale at the moment in his Milestone Gallery. It’s signed Van Peen.

Post card painting

I wandered across the street this afternoon looking for an antique birthday card in anticipation of my father’s 60th tonight. While paging through a notebook of old postcards, most circa 1915 (or thereabouts), I saw this one.

Post card painting

It’s hand-painted. You can see pencil lines around the building — the chimney in particular — and clouds. There’s no stamp or postmark on the back, just the following written in pencil:

Some of Margarets painting
Happy New Year!
O.C. Givens family.

There’s a pink/peach tinge to the snow on the roof and smoke from the chimney that I think is a nice touch.

Hand-painted flooring

The building my wife and I moved into the second story of last week was built in 1885, with an addition that basically doubled its size in 1895. We’ve been tearing up some nasty carpet upstairs, and underneath some of it lies this ~115 year old gem:

Linoleum

My father found something he believes to be this same flooring, or a description of this flooring, in a copy of an 1896 Sears catalog he has in his possession. Apparently it’s a handmade precursor to linoleum. Some sort of oil was applied to burlap — I caught a glimpse of the burlap when pulling up carpet in a different room today — and then the flooring is hand-painted. This particular design, in a building that was originally a bank, reminds me of a Piet Mondrian painting.

The photo above was taken in the only room the flooring seems salvageable. At some point it was painted brown and covered with carpet, but that paint seems to be coming off easily enough. We’ll see.

Show, don’t tell: Round 1

Round 1 in the Show, don’t tell showdown: Patty Wickman versus ubiquitous Christian painting hanging in most every American baptist church.

Patty Wikman thief

Above is Patty Wickman’s surreal A Thief in the Night. Wickman, an art professor at UCLA, is a master (in my opinion) of turning beautifully simple subjects into powerful metaphors.

Jesus knocking

Which do you think is more powerful imagery? Which is more likely to cause the viewer to more deeply engage the subject matter? Which one employs imagination? Which one tells and which one shows? And (ironically) which one is more likely to change a person’s attitude or worldview?

Christians in the past 100 years seem to have forgotten how to be creative, use our imaginations, when communicating visually. For some reason we feel the need to reduce the Gospel (and any other theological tenets we hold dear) to what is more or less propaganda. We obviously aren’t reading our Gospels very closely. The parables are a prime example of using art — storytelling — to show people an idea or principle rather than just saying it out loud. Granted, the culture was different then than now, and we may not be able to do exactly as Jesus did, but the point remains: People won’t respond to a direct statement in the same manner as they will to something that is illustrated, painted, drawn out.

And, for what it’s worth, the painting of Jesus knocking at the door (of your heart as so many mistakenly believe) is based on a verse, as far as I know, that’s almost always taken out of context. The imagery is generally used to appeal to non-believers. In reality, the verse is speaking to the church of Laodicea in the context of repentance.

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