Let your squares be squares

Julie Rozman, an architect-slash-ceramics blogger I’ve followed for a few years now, posted some images of her work for sale. She’s moving from Chicago to Urbana to study ceramics, and one of her sets of work reminded me of a post I’ve been thinking about for a while.

A long while, actually. Probably since I graduated from college almost ten years ago now.

Julie's sculpture does not forget it's roots.

In my architecture classes, in my graphic design classes and some of the time in my ceramics classes I watched aspiring artists and designers, myself included, forget the basics of design. We’d go after an assignment with passion, with dreams of being featured on the front cover of Architectural Digest, and forget that there are certain building blocks to every visual and spatial solution. They were overthinking the problem.

I suppose this is a symptom of the genius mentality, the drive for stardom usurping the desire to make useful and beautiful contributions to our surrounding environments.

Should artists learn a trade?

Been pretty quiet the past few weeks here on the blog eh?

Bloggy buddy and painter Jim Janknegt has suggested in the past that art students should be taught a trade while earning their degree. I like this idea. It makes use of artists’ natural ability to work with their hands while acknowledging how difficult it is to make a living as a painter or sculptor, especially right out of college. Even if the overly idealistic students don’t want to acknowledge the fact. Furthermore, trades generally pay more than other jobs aspiring artists often end up in. And we all like a little more in the paychecks.

The absence on the blog is thanks to a new full time job. I’m working in a trade again. I have a little bit of experience in quite a few different trades: Landscaping, offset printing, woodworking, a variety of building trades including framing, wiring and painting. My new gig is with a painter, someone I actually helped out for a couple of summers while in college.

I’m also still working for M-DAT. Between the two I have very little time left in a day. The plan at this point is to focus intently on my sculpture on the weekends. I’ve been thinking a lot lately about how soon I can build myself a soda kiln, and if I can make it somewhat portable. I don’t need a large one, and I already have some salvaged brick that can help out.

A friend recently counted the friends he has who are currently without jobs, and they numbered ten. So, regardless, I’m grateful for the work.

How to become a [magical] potter

Via the Slipcast blog, where Matthew Katz says of the video “I have some questions, but for now I am just going to assume that apparently the world views ceramicists as friendly, mystical monsters.”

Value of college degree overrated

When I met an old childhood acquaintance in a store a few weeks ago who is on her way to college this weekend I implored her not to graduate. Real life, so to speak, responsibility simply sucks. Stay in school I told her!

Indeed, my own college experience was such that I’ve always wanted to go back. Real life isn’t all that bad, except for the constant bills in the mailbox. And the aging, although the wisdom that comes with age is almost worth the body falling apart bit. But my years at the university were good times, and that without ever once getting drunk or high.

However, I’ve wondered about the value of my degree in the past five years or so. Is college really all that? The impression me and my fellow high school students were given back in the early 90s was that it is all that. If you’re gonna be a somebody you gotta go to a four-year school.

I don’t really believe that anymore, and neither does John Stossel.

I didn’t go to college just so I could earn more money than a high school grad, which seems to be the focus of this video. I trained my eye on the university because I really wanted to be an architect, and there was no way to become an architect if you didn’t have degree. Of course, I changed my major two years in, but that’s another story for another time.

From time to time I wonder what I would have done if I hadn’t attended the university. A two-year school seems like a good option. In fact, people I knew at Southeast Community College were getting a better education than I was in graphic design, and I could studied ceramics there as well. I’ve also thought of owning rentals. A lot of people don’t have the right temperament to do this well (including our landlord down in Arkansas from four years back), but I believe I do, and it seemed like a way to make a good living. And maybe I’d be building furniture.

Other than pointing out our cultural blindness with respect to four-year degrees, I like how Stossel’s spot affirms the value of working with your hands, something The Aesthetic Elevator is all about.

Make it your ambition to lead a quiet life, to mind your own business and to work with your hands, just as we told you, so that your daily life may win the respect of outsiders and so that you will not be dependent on anybody.

— I Thess 4:11

Artist retreat/colony

This morning I collected my past ponderings on a faith-based artist colony and listed them on a page called Artist retreat.

This is probably only interesting to a certain few regular readers, but for those who do take the time to glance at the listing let me ask for some feedback. One of the things I haven’t nailed down yet is whether or not there is actually a felt need among both artists and mission organizations for such a venture. If you have any insight along these lines, please leave a comment on this post or on the aforementioned page.

Pete Pinnell on fine art that functions

Pete Pinnell was one of my professors at the University of Nebraska, one of three very strong individuals in a fantastic ceramics program. The following video (external link) is a stellar talk about fine art and function.

Pete Pinnell on cups

Pete is a very good speaker and draws a number of simple but very powerful metaphors as he discusses cups, drinking vessels, in this video. Below I’ve paraphrased some of the portions that really caught my attention:

    Art acknowledges and actually talks about life, but there is one great taboo still in the art world, and that is that art still does not take part in life. Art thinks about life, but it does so from the role of the critic, from the observer, from the outsider. I like to joke that art will peek in our windows and rummage through our closets but it won’t sit down at the dinner table with us.

    The fine arts world has chosen to forgo touch, but it’s a very powerful means of human expression.

    Does having to deal with function limit creativity?

    A little bit of dissonance is really required to have something that will hold our attention for a longer period of time.

For the most part I think he hits the nail squarely on the head, but I’d love to hear other’s responses to this 30 minute talk.

Notre Dame ceramics department

While it may not be a complete representation of a department, a professor’s artwork can be an important part of how a potential student approaches a university’s program. So after nosing around Ball State’s website a week or two ago, I tried to find works online done by their faculty. I was quite surprised not to find any, at least not in five minutes searching. I suppose I could have looked a little longer, but I expected — as people of my generation do — relevant results for a simple and fairly specific search to appear near or on the first page of Google.

Since Sarah Hempel Irani mentioned to me that Notre Dame covers tuition for MFA students, if you can actually get in, I’ve done a little nosing around on their website. It was much easier to find works by Bill Kremer, ceramics prof at Notre Dame. I liked this installation of his work well enough that I thought I’d share it.

bill-kremer-gallery

I think the one front and center in the photograph is my favorite, at least from what I can tell. This show was at the Charlie Cummings Gallery in Gainesville, Florida. (Glad I didn’t have to transport all of those large pots from Indiana down to the swamp!)

Is an MA in studio art useful?

My wife and I continue to be overwhelmed with options and a lack of direction in our search for the next stage in life, as it were. Yesterday her sister — with whom she’s quite close — suggested we move eastward to Muncie, Indiana, so they could be in the same city. That rationale doesn’t hold much water, though, as she and her husband hope to leave Indiana when he graduates in a year.

Regardless, since we have so little apparent direction, I gave my sister-in-law’s idea a few minutes worth of internet research. I learned that real estate in Muncie seems to be very inexpensive (from what a person can tell on the internet, not knowing the quality of a neighborhood and such), and found in particular a swell old house on the historical registry for under $45k.

muncie-house

I also surfed around Ball State’s website and learned that BSU offers an MA in studio art, but not an MFA. This was a bit surprising; I expected a university of that size to offer the latter.

I haven’t given serious consideration to an MA up to now, mainly because it’s not a terminal degree, required for teaching at the college level. I asked a friend at JBU if they’d hire someone with an MA, and he replied “Yes, if they’re working towards a terminal degree.” That makes an MA pretty much worthless to me from what I can tell, unless it counts towards an MFA program in the future — which it might (if you know, please comment!).

I’ve had some conversation about MAs and MFAs with artist Sarah Irani. Sarah has a friend who earned an MFA from the University of Dallas and had a terrible experience. She quotes her friend: “As for grad school, it’s a waste because it is 1% useful instruction on making/becoming an artist and 99% a vetting and indoctrination process to weed out ‘the unworthy.’” I have to hope that my own alma mater, the University of Nebraska at Lincoln, is more than this based on my knowledge of its ceramics department. However, the Art School Confidential stereotype has all to much basis in reality.

Sarah has an MA. She listed her reasons for not getting an MFA in an email:

    * I was working at a college that offered an MA. I got tuition reimbursement for working there.
    * I didn’t want to deal with the crap that they dish out at art schools.
    * I was working as an apprentice to a sculptor on big commissions from the time that I graduated until after I was married. There was no sense in paying to get an MFA when I was operating my own studio and getting paid to do big sculptures.
    * By the time I was done with the commissions, I was married and wasn’t in the position to move to be close to a school. I could have driven over an hour each way to Baltimore or Washington, but the expense would have been unbearable.
    * The expense. My friend who went to University of Dallas is so overwhelmed by student debt that she’ll never afford a home. I do not recommend getting into debt with an MFA. It doesn’t pay off.

“All of that being said, an MA works for me and my situation. What are your goals? If your goals are anything other than being a college professor, I say skip the MFA. It is probably a waste of your time. If you want to be a professor, then you more or less have to go,” she continued, and then suggested Notre Dame, which apparently doesn’t charge MFA students tuition. Sounds too good to be true, but I plan to look into it anyway!

Of course that’s just what I need, another option.

Sarah reminded me this afternoon, as we chatted via Gmail, that such a circumstance as my wife and I find ourselves in is also an exciting time. She quoted her father, who used to tell her “that if I didn’t have a word from God, to move in the direction of my desires and trust God to care for me.

Not my selfish desires, mind you.”

On the MA in arts at Fuller

Marc Shaw commented on an old post inquiring about MFAs at Christian colleges, and I thought his perspective worth it’s own entry:

    I share your frustrations. I graduated with the first cohort in Fuller’s MA in Th. and Arts. Not quite as advertised. I am equipped to analyze culture and, to some extent art (but mostly as an “artifact of culture?”), but am by no means a more advanced writer. To my chagrin, SPU now has a highly regarded MFA, but in creative writing alone, I believe, which would have been right up my alley about $35,000 ago, and in some sense what I was looking for through Fuller, but never quite became a reality. Your best bet may be APU or a public university supplemented with a dedicated Christian artist community or even selected readings, through, say, an APU prof.

You know you live in a small town when

You know you live in a small town when businesses don’t have to specify their lunch hours.

photo0044

Tomorrow morning I leave our small town for the big city, the Big Apple, that concrete jungle they call New York City. On my first foray into Manhattan — I’ve been to the Statue of Liberty but haven’t actually been in the city — I’ll be attending the IAM Encounter conference.

And, gasp, I’ll be leaving the latpop at home.

So no blogging from New York. I’ll be using good old pen and paper to record my thoughts for the next few days. I might, though schedule a few random posts to appear during my absence.