Pete Pinnell on fine art that functions 26 June 2009
Posted by pcNielsen in Art, Art education, Art for art's sake, Art vs Craft, Ceramics, Craft, Handmade.1 comment so far
Pete Pinnell was one of my professors at the University of Nebraska, one of three very strong individuals in a fantastic ceramics program. The following video (external link) is a stellar talk about fine art and function.
Pete is a very good speaker and draws a number of simple but very powerful metaphors as he discusses cups, drinking vessels, in this video. Below I’ve paraphrased some of the portions that really caught my attention:
Art acknowledges and actually talks about life, but there is one great taboo still in the art world, and that is that art still does not take part in life. Art thinks about life, but it does so from the role of the critic, from the observer, from the outsider. I like to joke that art will peek in our windows and rummage through our closets but it won’t sit down at the dinner table with us.
The fine arts world has chosen to forgo touch, but it’s a very powerful means of human expression.
Does having to deal with function limit creativity?
A little bit of dissonance is really required to have something that will hold our attention for a longer period of time.
For the most part I think he hits the nail squarely on the head, but I’d love to hear other’s responses to this 30 minute talk.
Notre Dame ceramics department 16 April 2009
Posted by pcNielsen in Art, Art education, Ceramics, MFA.1 comment so far
While it may not be a complete representation of a department, a professor’s artwork can be an important part of how a potential student approaches a university’s program. So after nosing around Ball State’s website a week or two ago, I tried to find works online done by their faculty. I was quite surprised not to find any, at least not in five minutes searching. I suppose I could have looked a little longer, but I expected — as people of my generation do — relevant results for a simple and fairly specific search to appear near or on the first page of Google.
Since Sarah Hempel Irani mentioned to me that Notre Dame covers tuition for MFA students, if you can actually get in, I’ve done a little nosing around on their website. It was much easier to find works by Bill Kremer, ceramics prof at Notre Dame. I liked this installation of his work well enough that I thought I’d share it.

I think the one front and center in the photograph is my favorite, at least from what I can tell. This show was at the Charlie Cummings Gallery in Gainesville, Florida. (Glad I didn’t have to transport all of those large pots from Indiana down to the swamp!)
Is an MA in studio art useful? 7 April 2009
Posted by pcNielsen in Art, Art education, Artist as genius, Business of art, MFA, Personal reflection.13 comments
My wife and I continue to be overwhelmed with options and a lack of direction in our search for the next stage in life, as it were. Yesterday her sister — with whom she’s quite close — suggested we move eastward to Muncie, Indiana, so they could be in the same city. That rationale doesn’t hold much water, though, as she and her husband hope to leave Indiana when he graduates in a year.
Regardless, since we have so little apparent direction, I gave my sister-in-law’s idea a few minutes worth of internet research. I learned that real estate in Muncie seems to be very inexpensive (from what a person can tell on the internet, not knowing the quality of a neighborhood and such), and found in particular a swell old house on the historical registry for under $45k.

I also surfed around Ball State’s website and learned that BSU offers an MA in studio art, but not an MFA. This was a bit surprising; I expected a university of that size to offer the latter.
I haven’t given serious consideration to an MA up to now, mainly because it’s not a terminal degree, required for teaching at the college level. I asked a friend at JBU if they’d hire someone with an MA, and he replied “Yes, if they’re working towards a terminal degree.” That makes an MA pretty much worthless to me from what I can tell, unless it counts towards an MFA program in the future — which it might (if you know, please comment!).
I’ve had some conversation about MAs and MFAs with artist Sarah Irani. Sarah has a friend who earned an MFA from the University of Dallas and had a terrible experience. She quotes her friend: “As for grad school, it’s a waste because it is 1% useful instruction on making/becoming an artist and 99% a vetting and indoctrination process to weed out ‘the unworthy.’” I have to hope that my own alma mater, the University of Nebraska at Lincoln, is more than this based on my knowledge of its ceramics department. However, the Art School Confidential stereotype has all to much basis in reality.
Sarah has an MA. She listed her reasons for not getting an MFA in an email:
* I was working at a college that offered an MA. I got tuition reimbursement for working there.
* I didn’t want to deal with the crap that they dish out at art schools.
* I was working as an apprentice to a sculptor on big commissions from the time that I graduated until after I was married. There was no sense in paying to get an MFA when I was operating my own studio and getting paid to do big sculptures.
* By the time I was done with the commissions, I was married and wasn’t in the position to move to be close to a school. I could have driven over an hour each way to Baltimore or Washington, but the expense would have been unbearable.
* The expense. My friend who went to University of Dallas is so overwhelmed by student debt that she’ll never afford a home. I do not recommend getting into debt with an MFA. It doesn’t pay off.
“All of that being said, an MA works for me and my situation. What are your goals? If your goals are anything other than being a college professor, I say skip the MFA. It is probably a waste of your time. If you want to be a professor, then you more or less have to go,” she continued, and then suggested Notre Dame, which apparently doesn’t charge MFA students tuition. Sounds too good to be true, but I plan to look into it anyway!
Of course that’s just what I need, another option.
Sarah reminded me this afternoon, as we chatted via Gmail, that such a circumstance as my wife and I find ourselves in is also an exciting time. She quoted her father, who used to tell her “that if I didn’t have a word from God, to move in the direction of my desires and trust God to care for me.
Not my selfish desires, mind you.”
On the MA in arts at Fuller 26 March 2009
Posted by pcNielsen in Art and faith, Art education, Christianity, MFA.7 comments
Marc Shaw commented on an old post inquiring about MFAs at Christian colleges, and I thought his perspective worth it’s own entry:
I share your frustrations. I graduated with the first cohort in Fuller’s MA in Th. and Arts. Not quite as advertised. I am equipped to analyze culture and, to some extent art (but mostly as an “artifact of culture?”), but am by no means a more advanced writer. To my chagrin, SPU now has a highly regarded MFA, but in creative writing alone, I believe, which would have been right up my alley about $35,000 ago, and in some sense what I was looking for through Fuller, but never quite became a reality. Your best bet may be APU or a public university supplemented with a dedicated Christian artist community or even selected readings, through, say, an APU prof.
You know you live in a small town when 24 February 2009
Posted by pcNielsen in Art, Art and faith, Art education, Personal reflection, Siloam Springs.add a comment
You know you live in a small town when businesses don’t have to specify their lunch hours.

Tomorrow morning I leave our small town for the big city, the Big Apple, that concrete jungle they call New York City. On my first foray into Manhattan — I’ve been to the Statue of Liberty but haven’t actually been in the city — I’ll be attending the IAM Encounter conference.
And, gasp, I’ll be leaving the latpop at home.
So no blogging from New York. I’ll be using good old pen and paper to record my thoughts for the next few days. I might, though schedule a few random posts to appear during my absence.
Artists can be republicans? 22 February 2009
Posted by pcNielsen in Art, Art education.4 comments
From this morning’s Post Secret:

The entry was followed by this reponse:
—–Email Message—–
Sent: Sunday, February 22, 2009 1:34 AM
Subject: Re: Art Major and REPUBLICAN
You’re not alone! I’m so excited to hear that there are others like me!
But don’t feel like a “fake.” Celebrate it! Art is about diversity.
Christian art center, downtown? 10 February 2009
Posted by pcNielsen in Art, Art and Missions, Art and faith, Art education, Northwest Arkansas, Siloam Springs.Tags: Christian art center
9 comments
Generally, when my mind wanders with daydreams of a missions focused art center (retreat, colony, center, I don’t know what to call it exactly), I imagine twenty acres in the countryside. Hence my last post on the matter inquiring about the use of farmsteads as anchors for the place.
This week I’ve pondered putting the center in the middle of Siloam Springs, Arkansas. This is a result of the recent revival in downtown Siloam and conversations about the city center’s available real estate — hashed out mainly with the owner of The Baby Habit.
So far as I can tell (without actually having talked to a realtor) the buildings on each of the corners of Wright and Ashley are for sale. Three of the buildings formerly formed a lumberyard, one represented a tile shop and coffeehouse and gracing the last corner in question are the Creekview Flats.
I’m having fun imagining the kind of positive impact such an institution might render on modestly populated Siloam Springs, especially the impact on downtown. The spaces seem more or less ideal for such a proposal: The lumberyard for studios and galleries; the buildings across the street, including the tile shop and coffeehouse, for classrooms and the Creekview Flats (which are still on the market, though being rented out) for housing. The lumberyard and flats were both just remodeled, but the flats would probably need to be split into ten 1,200 square foot apartments. Presently they are five 2,400 square foot condos, which — in my opinion — is why they remain unsold. There just isn’t the demographic here willing and able to spend $250,000 on living space downtown, from what I can tell.
Imagining cost is a bit difficult. Buying all of the flats gets you going at $1.5 million (which they are not worth, especially in this market), before any renovations to add kitchens upstairs. Apparently the tile shop/coffeehouse building is on the market for only $80,000; as I recall it was round about 3,500 square feet. I haven’t the slightest idea what (or, honestly, if) the old M&D lumberyard is for sale, but I assume so. It constitutes, basically, an entire city block by itself. Take into account other remodeling, purchase of equipment (kilns, wood shop, forge, easels, chairs, tables, office equipment etc. etc.), an initial marketing and design campaign, a savings account for maintenance and some sort of endowment for scholarships and I suppose we’re looking at $2.5 to $3 million.
Any donors out there with that kind of capital interested in this kind of project?
IAM Encounter conference in NYC 23 January 2009
Posted by pcNielsen in Art, Art and faith, Business of art, MFA, Personal reflection.4 comments
I’ve been receiving emails about the IAM Encounter conference for a couple months now, but it wasn’t until this week I thought of going. The latest email included a list of seminar titles, some of which really piqued my interest: Your Art Career IS Your Business; The MFA: want one? got one? now what?; Aesthetics and the 21st Century. Another title with potential is Take Your Pride and Shove It, which sounds like it could relate to my interest in the artist-as-genius complex in America.
Encounter is pretty much the same cost as the April retreat for people who care for artists — although I could drive to Austin and will fly to New York — however the IAM conference seems as though it could be a springboard of sorts for me into a more serious artistic career. It’s geared more toward artists from what I can tell. I also have two options for lodging in the City, one with a Siloam Springs acquaintance involved in ArtServe International who is also attending the conference, and also with family across the river in Jersey. The email, interestingly and wisely, from IAM also suggests local monasteries as places to bunk.
The practical side of me is saying things like “You shouldn’t spend that money because . . . ” The visionary and artistic side of me is saying things like “This is a Divine opportunity and it clicked this week for a reason . . . ” At this point I’m leaning towards going, and hoping to get my brother to come along. I feel like I need to make a decision quickly, while airfare is still good and I have a chance to nail down a place to stay.
Creativity, the arts and Obama 15 January 2009
Posted by pcNielsen in Art, Art education, Business of art, Criticism, Modern culture.1 comment so far
Tech Crunch pointed to the Citizen’s Briefing Book on President Elect Barack Obama’s website Change.gov. The ideas presented in the book are open to be voted on by readers, and will be compiled into a book to be presented to the new President after he’s sworn into office. (Whether or not he’ll read it is, I suppose, another matter entirely.)
I searched the pool of entries in the Book for “Art” and discovered a few relevant results, including one called Focus on the art[s] and creativity. The very brief suggestion, by someone using the handle Maples, is short enough I’ll just quote it here:
It is always the arts that are first to be cut back in our schools and communities, yet the arts are at the very center of creativity. This is where creative skills are born, not just for artists and musicians, but for scientists, engineers, researchers, innovators, and all thinking peoples. Now, if ever, is the time when we need creative thought and creative action to find the means and the human energy and spirit to find our way out of the problems that face us.
This sounds somewhat similar to Huckabee’s position on the arts, which I pointed out in 2007. “Art and music are as important as math and science because the dreamers and visionaries among us take the rough straw of an idea and spin it into the gold of new businesses and jobs,” he said on his website. “Our future economy depends on a creative generation.”
They’re both right.
Creativity is not just artistic, and being able to think critically about the arts will improve a person’s mental faculties in general. Some Americans — many of them, probably — don’t realize the importance of the arts. Our culture (and subsequently our cultural mindset) is overly zealous for efficiency, productivity and profitability. In and of themselves these are fine ideals, but American culture has elevated said corporate gods to the point that competing cultural interests are looked down upon. One of the detracting responses, by one Kevin J. Kauth, to Maples’ suggestion is textbook:
Arts are great but math and science are more important to survival. Arts impove quality of life, but don’t help us make food, medicine, technology ect. They are right to be the first to go. Mandating that they come back is not the way to responsibly get them back. Improving a school to the point that it can afford the arts on its own is the onl way to go. [sic, all]
The fine arts may not directly result in food or technology, but they are grounded in crafts which act as the cornerstone to many basic aspects of life. Without metal smiths we wouldn’t have plows to till the dirt. Without potters we wouldn’t have plates to eat food from those fields. Without carpenters and stone masons there wouldn’t be shelter from the 10 degree weather, like I woke up to this morning. And without the craft of writing we would be prone to forget the many practical, political, technological and philosophical lessons our forefathers figured out for us.
Further, if we forgo the creative aspects of our educations — whether formal or informal schooling — there won’t be the same advances in other aspects of our culture. As an example, the connection between music and mathematics goes back to the 5th century B.C. and Pythagoras of Samos. Art is communication. Art is educating. Art is an extension of a God-ordained human culture, and we would be amiss to ignore any one part of that divine culture.
That said, what do you think Obama’s best move is with respect to the arts? Should he ignore them? Should he endorse them without taking any action? Three or four posts on the Citizen’s Briefing Book suggest establishing a Secretary of Arts and Culture. Should he throw money at artists? I read at least three entries in the Citizen’s book suggesting a resurrection of the WPA (Read more about the failure of this Depression era approach — specifically as it relates to architecture — in this Architecture + Morality post.). Should he create opportunities for them?
Is ADHD really just “Creative Kids Syndrome?” 19 September 2008
Posted by pcNielsen in Art education, Imagination, Modern culture.8 comments
NPR’s Morning Edition played a story yesterday about Pacific Lutheran University student Emily Algire. Algire was diagnosed with ADHD as a child, much to the confusion of her very organized mother.
The NPR spot reminded me of my August post wherein Sir Ken Robinson cites Gillian Lynn, who choreographed Cats and Phantom of the Opera. I didn’t elaborate on this story in that post — as it was getting long — so here it is in brief.
Gillian Lynn, who grew up in the 1930s in Kent, England, was suspected to have a learning disability by her school. The school wrote to her parents in order to state their suspicion. Lynn couldn’t concentrate. She fidgeted in school. “Now they’d say she had ADHD,” Robinson notes. “But this was the 1930s and ADHD hadn’t been invented, you know, at this point. It wasn’t an available condition. People weren’t aware they could have that.”
As a disclaimer, I’m compelled to say that the following isn’t intended to slight or make light of anyone’s personal struggle with ADHD. I’m not personally afflicted with said condition, and actually know very few people who are (in fact, I can’t name anyone off-hand). I’m by no means a doctor and have done extraordinarily little reading on this subject. Herein I’m merely theorizing as an outside observer.
However, I often wonder if ADHD isn’t something realized on account of our very rigid public education system. Yes, I said it: I’m not sure ADHD is real. That’s it. Those of you with passionately divergent opinions, let it out. Civilly, please, and with solid rhetoric. References to medical journals are great so long as they’re in plain English.
Even though I didn’t and don’t suffer from Attention Deficit Disorder, I found the public school process to be a generally less than ideal manner of education. I’m an artist, a designer, a creative person. I work with my hands. Most K-12 classes are book and lecture-based affairs. You sit, you listen, you take notes and then you do your bookwork.
I know I didn’t and don’t have ADHD because I did fine in school despite being a hands-on learner. My grades hovered in-between A and B on the common scale. But I was most definitely bored. I was uninterested. At the same time, however, I was a self-starter. After I’d get home from sitting in classroom lectures for six hours I would — of my own volition — draw or make attempts at other kinds of art. I drew animals and eventually began drafting floor plans of houses (I have no recollection how I got into this, as it would still be three years or so before I took a formal drafting class.). I would sit for five or six straight hours creating. Tracing paper, t-square and compass in hand I devised Georgian mansions and modern vacation homes.
I took as many classes as I could in high school that lent themselves to the creative process, but it wasn’t nearly enough. I understand the need for math and English and history, but aren’t there better ways to teach it to people like me who thrive in a hands-on setting? How hard would it be to mix in more (or any) field trips to a history class or a simple engineering project as a math assignment at the high school, or even junior high level? Maybe we need different kinds of schools and different kinds of teachers for different kinds of learners. Maybe the system needs to better identify different kinds of learners — instead of lumping every kid into the same kind of classroom environment — and set students off on tracks that help them flourish instead of just get by. Once in a while I hear about this latter kind of track-based school, though it very much appears to be the exception rather than the rule.
My thought is that a lot of people diagnosed with ADHD simply learn differently than public education allows for in most instances. This was the case for Gillian Lynn. Lynn and her mother went to see a specialist. After the specialist outlined to the mother all of the problems the child was having in school, he told Lynn he needed to speak to her mother privately. The doctor and the mother left the room. As they left, the doc put some music on for the child.
The two watched Lynn from the other room. As soon as they’d left, the girl was on her feet moving to the music. After a few minutes the doctor turned to the mother and said
“Take her to a dance school.” From what I can tell, Robinson is working on a book titled Epiphany for which he recently interviewed Lynn. She recounted to Robinson in an interview how wonderful it was to be in a room with a lot of other people like herself upon arriving at the dance school. “People who couldn’t sit still. People who had to move to think.”
Robinson goes on to list Lynn’s achievements. She founded her own dance school, choreographed some of the most renowned musicals, became a millionaire. “Someone else might have put her on medication and told her to calm down.”
Is it really so bad that some people just aren’t wired to sit through a lecture, let alone five or six consecutive lectures in a ordinary school day? Or is it just that, for the sake of ease, the public schools in America won’t tolerate anything outside of the status quo? What will it take to change the bureaucratic behemoth that is public education so that it teaches everyone equally well according to the pupil’s standards, not some government regulator’s standards?
Some people have to move to think. And that’s OK.
Photo from Wikipedia.




