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	<title>Comments on: Explanations betray art???</title>
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	<description>For a well-considered visual environment</description>
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		<title>By: Tim J.</title>
		<link>http://theaestheticelevator.com/2008/07/18/explanations-betray-art/#comment-12283</link>
		<dc:creator><![CDATA[Tim J.]]></dc:creator>
		<pubDate>Sat, 19 Jul 2008 21:50:36 +0000</pubDate>
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		<description><![CDATA[I don&#039;t know how far I would push the idea that &quot;explanations betray art&quot;, but there may be a kernel of truth to it. I always thought that the necessity of reading a paper or manifesto in order to understand a piece of art was testimony that the art had already failed in some way.

Even the titles of pieces can amount to a kind of explanation - or at least a hint - of the meaning or context. I wouldn&#039;t say that this was a bad thing. If you have a portrait of a woman, it does make a difference whether you title it something like &quot;Arrangement in Gray and Black&quot; or &quot;The Empress in Mourning&quot;. A little guidance can go a long way, but if the whole idea of the work needs deciphering, it might be a pretty questionable piece of art.

Yeah, &quot;serious art&quot; is a drag.

The statement &quot;artists should resist the call to explain themselves&quot; strikes me as possibly elitist at its core. Like the unspoken rule in grad school that if ordinary people off the street could comprehend and enjoy your art, then you must be screwing up, somewhere. If you could cause confusion, or better, indignation, you were clearly an artist of high caliber.]]></description>
		<content:encoded><![CDATA[<p>I don&#8217;t know how far I would push the idea that &#8220;explanations betray art&#8221;, but there may be a kernel of truth to it. I always thought that the necessity of reading a paper or manifesto in order to understand a piece of art was testimony that the art had already failed in some way.</p>
<p>Even the titles of pieces can amount to a kind of explanation &#8211; or at least a hint &#8211; of the meaning or context. I wouldn&#8217;t say that this was a bad thing. If you have a portrait of a woman, it does make a difference whether you title it something like &#8220;Arrangement in Gray and Black&#8221; or &#8220;The Empress in Mourning&#8221;. A little guidance can go a long way, but if the whole idea of the work needs deciphering, it might be a pretty questionable piece of art.</p>
<p>Yeah, &#8220;serious art&#8221; is a drag.</p>
<p>The statement &#8220;artists should resist the call to explain themselves&#8221; strikes me as possibly elitist at its core. Like the unspoken rule in grad school that if ordinary people off the street could comprehend and enjoy your art, then you must be screwing up, somewhere. If you could cause confusion, or better, indignation, you were clearly an artist of high caliber.</p>
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