An arts pastor on Sweet Jesus

I was introduced to this blog earlier in the week. The art pastor’s long entry on Cavallaro’s chocolate sculpture has some good insights, including this:

    The art, I contend, is not blasphemous for any strictly theological reasons. Have the Councils or Creeds forbidden it? No, they’ve simply enjoined us to promote what is honorable and reverence-inducing. To this I say that if we’re going to allow iron, wood or stone, why not any other physical material? Why not plastic, tinsel or chocolate. They’re all transient. They’re all material. In fact, I would argue, the chocolate comes closest to capturing Jesus’ own words in John 6:55–

    “My flesh is food indeed, and My blood is drink indeed.”

“They’re all transient,” he says. I agree for the most part, but think immediately of Randy Alcorn’s Heaven, making the argument that all things will not be destroyed completely in order to be restored. He further discusses his belief, based on Scripture which he cites, that cultural and artistic works glorifying God will be with us on the New Earth.

Still, from our human perception all material is transient. Nothing lasts, considering the present fallen state of Creation, forever.


About pcNielsen
Paul Nielsen founded The Aesthetic Elevator late in 2005, posting to it for the first time in early 2006. He owns a piece of paper, located somewhere in his house (not on the wall) stating that he earned a B.F.A. in studio art from the University of Nebraska around about 2001. While there, he studied studied architecture, graphic design and ceramics, graduating with a degree in studio art. Paul presently serves as communications manager for a small non-profit doing their print design and marketing. He spends time in his garage studio as much as possible — which is not nearly enough. His home is in Siloam Springs, Arkansas. Visit his website at http://pcNielsen.com.

5 Responses to An arts pastor on Sweet Jesus

  1. Tim J. says:

    ” I would argue, the chocolate comes closest to capturing Jesus’ own words in John 6:55– ‘My flesh is food indeed, and My blood is drink indeed.’ ”.

    Pardon my stating the very obvious, but doesn’t Jesus equate His body to the unleavened bread of the Passover, like, a lot? Being that the Passover meal was a pre-figurement of His sacrifice, and that He drew the parallel very plainly at the Last Supper, isn’t this chocolate interpretation forced beyond recognition?

    The thing is, chocoltae is the opposite of “real food”. Chocolate means empty calories, self-indulgence, excess (not that these are always bad, but they fail utterly as a symbol for Christ’s body). This is why I don’t let my kids have a Milky Way bar for breakfast. Unleavened bread is solid sustenance for the journey. The bread of haste, eaten with bitter herbs.

    There are brands of Christianity that present Jesus as the gooey-sweet topping on the ice-cream cone of life, but that’s not any Jesus I can recognize from scripture.

  2. TAE says:

    Pardon my stating the very obvious, but doesn’t Jesus equate His body to the unleavened bread of the Passover, like, a lot? You are correct about this. I don’t quite know what he was getting at by saying by that . . .

    The interpretation of an artwork by a viewer hinges on that viewer’s prior associations and experiences, and the cultural context (which will vary even from New York to Arkansas to L.A.). I wouldn’t feed my children a Milky Way for breakfast either, but other kinds of less sugary chocolate I would (one of my personal faves is chocolate chip pancakes, but I grew up in a family where the four basic food groups were chocolate cake, chocolate chip cookies, chocolate . . . ).

    If an artist didn’t create just because certain people would interpret it in a manner other than he predicted (though I grant that Cavallaro was a bit short-sighted in not anticipating some blowback), there wouldn’t be much art — or art wouldn’t be put out in public forums.

    One of the consistant arguments of Sweet Jesus is the one you bring up, and from the beginning it has befuddled me (but this is just me bringing my associations and experiences to the work). The material is an integral part of the work. In this case, it causes me to think in new and deeper ways about my own faith and about the sacrifice Christ made. Would I be as moved by another sculpture of Christ crafted out of marble or wood? Not really.

  3. wordlily says:

    Purchasing sinners at the high price of a holy life is decadence — perhaps even foolishness. Jesus did spend his lifeblood in a decadent manner. While we grieve on Friday and Saturday, how can we but rejoice (“Sweet Jesus!”) on Sunday?

  4. balm says:

    i love that this creates a dialog. and an excellent dialog it is!

  5. Tim Stewart says:

    I made a comment on David’s blog (the blog cited in the entry above) here and then I blogged about for a few paragraphs here. I think I agree with the prevailing spirit in this comment chain that when we compare Jesus to anything, we have to bear Scripture in mind. And it helps to use some good old logic, and consider the full implications of a comparison we’re making. Yeah–chocolate is tasty. sure: but its connotations are decadence, luxury, expense, and special occasions. Jesus wants to be our daily bread. Jesus as main course is different from Jesus as dessert.

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